Surrealist blues poet, aja monet, announces her powerful new album, the color of rain, due May 22nd on drink sum wtr. The album announcement arrives today with a Jesse Boykins III-directed video for album standout "elsewhere." A track that poetically grooves and glimmers--featuring soul-stirring vocals by Georgia Anne Muldrow, Meshell Ndegeocello, and Novena Carmel.
"'elsewhere' is a dedication to Sly Stone. We were in the studio working on the album and learned of his death. Meshell told me to go home and write something not in memoriam but in homage. The next day we started working on the song and it was like he was in the room with us," monet explains. "Everything came together in divine timing. I had already reached out to Novena Carmel and also Georgia Anne Muldrow but they both responded the same day and joined us. The song reminds me of our love for one another and the portal of possibility."
At the crux of rising fascism, aja monet offers a waking-dream intervention, amid the sinister reality of contemporary events. A prompt to look up at the sky within, the color of rain, co-produced by monet, Justin Brown and Meshell Ndegeocello, is an imbrication of familiar genres forged beyond category or definition. As one stride's through the sequence of poems, each song shifts between musical perceptions of jazz, soul, hip hop, rhythm and blues. Surrealism at it's finest, a marvelous unleashing of the mind. the color of rain reminds us that poetry predates the very blueprints of genre. Rather than delivering poetry over fixed arrangements, aja works in close conversation with the music, adjusting phrasing, cadence, and tone as the compositions shift.
~~~
aja monet's poems are a work of gravity. They are a fundamental for which all things are attracted, considered upon and enacted towards. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.
As a community organizer, surrealist blues poet and teacher aja monet moves between mediums, each one an element to her writing. Here, organizing and activism aren't the point, they're the process. The endgame is liberation and the poems, the music, and the art serve as the scribe of the time. Building off a tradition rooted in oratorical facility aja is the conduit for her predecessors to channel through. At any given time you'll find the revolutionary spirit of Audre Lorde and the Last Poets, you'll feel June Jordan, Amiri Baraka, Jayne Cortez and even the expressive ephemerality of a passing blue note. All appearing as generational trees from which these poems fruit.
aja monet has been a poet in name since before birth. In her 2017 debut collection of poems my mother was a freedom fighter, she outlines in give my regards to Brooklyn, "i owe my life/to the woman/who stopped my mother/on the b56/on her way/to the abortion clinic/and told her/ you have a poet coming." She has been a poet in verb since youth, "I started writing when I was 8 or 9 -- [but] I think I was a poet before I wrote my first poem." She matriculated in writing upon enrolling in Baruch College Campus High School and then in joining Urban World NYC. She cut her teeth within the walls of the legendary Nuyorican Poets Café, where she won the title of Grand Slam Champion in 2007 at age 19, making her the youngest Grand Slam Champion in the venue's history.
She grew up in Brooklyn, where the incessant harassment of the Black community by way of the police was an untenable growing pain. Here in between the raucous and propulsive insistence of rap and the predetermined experience of Black people in America she learned to navigate language. After graduating from Sarah Lawrence College and the School of the Art Institute of Chicago, and living briefly in Paris, aja monet co-edited Chorus: A Literary Mixtape alongside poet-actor-director Saul Williams and released two chapbooks of poetry The Black Unicorn Sings and Inner-City Cyborgs and Ciphers. Throughout her journeys, her poems always have a way of pointing back to home - aware and paying homage to from whence she came.
In when the poems do what they do aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, "Who's got time for poems when the world is on fire?!." And this work isn't one to pull apart into one liners, these are poems of things felt. There is a fullness here that can't be encapsulated in even the boundaries that language offers. aja monet is a griot, a storyteller, a chronicler, and your grandmother telling you about her first love all at once. These are baby making poems
literally the spring enacting upon the cherry trees. These are poems of urgency and want and the rallying cry to demolish the insidious systems from which our futures seem to be wrought, in other words,"If we had a sense of humor we'd be more radical. More migrant than citizen we'd breathe the air clean and ration our resources...we would melt ALL the guns." You will find yourself readying arms because of these poems, and simultaneously mourning the unstoppable loss of names already destined to be immortalized. aja monet crafts a work as she always does, that can be entered from many doors. These aren't poems for poets, but poems for everyone.
She is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together creating music that is insistent and unrelenting. There are songs reminiscent of jazz club virtuosity and melee, others of a healing balm in gilead, and the chords of Castaway move like that of the call to intercessory prayer.
When you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.
show less
"'elsewhere' is a dedication to Sly Stone. We were in the studio working on the album and learned of his death. Meshell told me to go home and write something not in memoriam but in homage. The next day we started working on the song and it was like he was in the room with us," monet explains. "Everything came together in divine timing. I had already reached out to Novena Carmel and also Georgia Anne Muldrow but they both responded the same day and joined us. The song reminds me of our love for one another and the portal of possibility."
At the crux of rising fascism, aja monet offers a waking-dream intervention, amid the sinister reality of contemporary events. A prompt to look up at the sky within, the color of rain, co-produced by monet, Justin Brown and Meshell Ndegeocello, is an imbrication of familiar genres forged beyond category or definition. As one stride's through the sequence of poems, each song shifts between musical perceptions of jazz, soul, hip hop, rhythm and blues. Surrealism at it's finest, a marvelous unleashing of the mind. the color of rain reminds us that poetry predates the very blueprints of genre. Rather than delivering poetry over fixed arrangements, aja works in close conversation with the music, adjusting phrasing, cadence, and tone as the compositions shift.
~~~
aja monet's poems are a work of gravity. They are a fundamental for which all things are attracted, considered upon and enacted towards. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.
As a community organizer, surrealist blues poet and teacher aja monet moves between mediums, each one an element to her writing. Here, organizing and activism aren't the point, they're the process. The endgame is liberation and the poems, the music, and the art serve as the scribe of the time. Building off a tradition rooted in oratorical facility aja is the conduit for her predecessors to channel through. At any given time you'll find the revolutionary spirit of Audre Lorde and the Last Poets, you'll feel June Jordan, Amiri Baraka, Jayne Cortez and even the expressive ephemerality of a passing blue note. All appearing as generational trees from which these poems fruit.
aja monet has been a poet in name since before birth. In her 2017 debut collection of poems my mother was a freedom fighter, she outlines in give my regards to Brooklyn, "i owe my life/to the woman/who stopped my mother/on the b56/on her way/to the abortion clinic/and told her/ you have a poet coming." She has been a poet in verb since youth, "I started writing when I was 8 or 9 -- [but] I think I was a poet before I wrote my first poem." She matriculated in writing upon enrolling in Baruch College Campus High School and then in joining Urban World NYC. She cut her teeth within the walls of the legendary Nuyorican Poets Café, where she won the title of Grand Slam Champion in 2007 at age 19, making her the youngest Grand Slam Champion in the venue's history.
She grew up in Brooklyn, where the incessant harassment of the Black community by way of the police was an untenable growing pain. Here in between the raucous and propulsive insistence of rap and the predetermined experience of Black people in America she learned to navigate language. After graduating from Sarah Lawrence College and the School of the Art Institute of Chicago, and living briefly in Paris, aja monet co-edited Chorus: A Literary Mixtape alongside poet-actor-director Saul Williams and released two chapbooks of poetry The Black Unicorn Sings and Inner-City Cyborgs and Ciphers. Throughout her journeys, her poems always have a way of pointing back to home - aware and paying homage to from whence she came.
In when the poems do what they do aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, "Who's got time for poems when the world is on fire?!." And this work isn't one to pull apart into one liners, these are poems of things felt. There is a fullness here that can't be encapsulated in even the boundaries that language offers. aja monet is a griot, a storyteller, a chronicler, and your grandmother telling you about her first love all at once. These are baby making poems
literally the spring enacting upon the cherry trees. These are poems of urgency and want and the rallying cry to demolish the insidious systems from which our futures seem to be wrought, in other words,"If we had a sense of humor we'd be more radical. More migrant than citizen we'd breathe the air clean and ration our resources...we would melt ALL the guns." You will find yourself readying arms because of these poems, and simultaneously mourning the unstoppable loss of names already destined to be immortalized. aja monet crafts a work as she always does, that can be entered from many doors. These aren't poems for poets, but poems for everyone.
She is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together creating music that is insistent and unrelenting. There are songs reminiscent of jazz club virtuosity and melee, others of a healing balm in gilead, and the chords of Castaway move like that of the call to intercessory prayer.
When you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.
Surrealist blues poet, aja monet, announces her powerful new album, the color of rain, due May 22nd on drink sum wtr. The album announcement arrives today with a Jesse Boykins III-directed video for album standout "elsewhere." A track that poetically grooves and glimmers--featuring soul-stirring vocals by Georgia Anne Muldrow, Meshell Ndegeocello, and Novena Carmel.
"'elsewhere' is a dedication to Sly Stone. We were in the studio working on the album and learned of his death. Meshell told me to go home and write something not in memoriam but in homage. The next day we started working on the song and it was like he was in the room with us," monet explains. "Everything came together in divine timing. I had already reached out to Novena Carmel and also Georgia Anne Muldrow but they both responded the same day and joined us. The song reminds me of our love for one another and the portal of possibility."
At the crux of rising fascism, aja monet offers a waking-dream intervention, amid the sinister reality of contemporary events. A prompt to look up at the sky within, the color of rain, co-produced by monet, Justin Brown and Meshell Ndegeocello, is an imbrication of familiar genres forged beyond category or definition. As one stride's through the sequence of poems, each song shifts between musical perceptions of jazz, soul, hip hop, rhythm and blues. Surrealism at it's finest, a marvelous unleashing of the mind. the color of rain reminds us that poetry predates the very blueprints of genre. Rather than delivering poetry over fixed arrangements, aja works in close conversation with the music, adjusting phrasing, cadence, and tone as the compositions shift.
~~~
aja monet's poems are a work of gravity. They are a fundamental for which all things are attracted, considered upon and enacted towards. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.
As a community organizer, surrealist blues poet and teacher aja monet moves between mediums, each one an element to her writing. Here, organizing and activism aren't the point, they're the process. The endgame is liberation and the poems, the music, and the art serve as the scribe of the time. Building off a tradition rooted in oratorical facility aja is the conduit for her predecessors to channel through. At any given time you'll find the revolutionary spirit of Audre Lorde and the Last Poets, you'll feel June Jordan, Amiri Baraka, Jayne Cortez and even the expressive ephemerality of a passing blue note. All appearing as generational trees from which these poems fruit.
aja monet has been a poet in name since before birth. In her 2017 debut collection of poems my mother was a freedom fighter, she outlines in give my regards to Brooklyn, "i owe my life/to the woman/who stopped my mother/on the b56/on her way/to the abortion clinic/and told her/ you have a poet coming." She has been a poet in verb since youth, "I started writing when I was 8 or 9 -- [but] I think I was a poet before I wrote my first poem." She matriculated in writing upon enrolling in Baruch College Campus High School and then in joining Urban World NYC. She cut her teeth within the walls of the legendary Nuyorican Poets Café, where she won the title of Grand Slam Champion in 2007 at age 19, making her the youngest Grand Slam Champion in the venue's history.
She grew up in Brooklyn, where the incessant harassment of the Black community by way of the police was an untenable growing pain. Here in between the raucous and propulsive insistence of rap and the predetermined experience of Black people in America she learned to navigate language. After graduating from Sarah Lawrence College and the School of the Art Institute of Chicago, and living briefly in Paris, aja monet co-edited Chorus: A Literary Mixtape alongside poet-actor-director Saul Williams and released two chapbooks of poetry The Black Unicorn Sings and Inner-City Cyborgs and Ciphers. Throughout her journeys, her poems always have a way of pointing back to home - aware and paying homage to from whence she came.
In when the poems do what they do aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, "Who's got time for poems when the world is on fire?!." And this work isn't one to pull apart into one liners, these are poems of things felt. There is a fullness here that can't be encapsulated in even the boundaries that language offers. aja monet is a griot, a storyteller, a chronicler, and your grandmother telling you about her first love all at once. These are baby making poems
literally the spring enacting upon the cherry trees. These are poems of urgency and want and the rallying cry to demolish the insidious systems from which our futures seem to be wrought, in other words,"If we had a sense of humor we'd be more radical. More migrant than citizen we'd breathe the air clean and ration our resources...we would melt ALL the guns." You will find yourself readying arms because of these poems, and simultaneously mourning the unstoppable loss of names already destined to be immortalized. aja monet crafts a work as she always does, that can be entered from many doors. These aren't poems for poets, but poems for everyone.
She is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together creating music that is insistent and unrelenting. There are songs reminiscent of jazz club virtuosity and melee, others of a healing balm in gilead, and the chords of Castaway move like that of the call to intercessory prayer.
When you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.
read more
"'elsewhere' is a dedication to Sly Stone. We were in the studio working on the album and learned of his death. Meshell told me to go home and write something not in memoriam but in homage. The next day we started working on the song and it was like he was in the room with us," monet explains. "Everything came together in divine timing. I had already reached out to Novena Carmel and also Georgia Anne Muldrow but they both responded the same day and joined us. The song reminds me of our love for one another and the portal of possibility."
At the crux of rising fascism, aja monet offers a waking-dream intervention, amid the sinister reality of contemporary events. A prompt to look up at the sky within, the color of rain, co-produced by monet, Justin Brown and Meshell Ndegeocello, is an imbrication of familiar genres forged beyond category or definition. As one stride's through the sequence of poems, each song shifts between musical perceptions of jazz, soul, hip hop, rhythm and blues. Surrealism at it's finest, a marvelous unleashing of the mind. the color of rain reminds us that poetry predates the very blueprints of genre. Rather than delivering poetry over fixed arrangements, aja works in close conversation with the music, adjusting phrasing, cadence, and tone as the compositions shift.
~~~
aja monet's poems are a work of gravity. They are a fundamental for which all things are attracted, considered upon and enacted towards. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.
As a community organizer, surrealist blues poet and teacher aja monet moves between mediums, each one an element to her writing. Here, organizing and activism aren't the point, they're the process. The endgame is liberation and the poems, the music, and the art serve as the scribe of the time. Building off a tradition rooted in oratorical facility aja is the conduit for her predecessors to channel through. At any given time you'll find the revolutionary spirit of Audre Lorde and the Last Poets, you'll feel June Jordan, Amiri Baraka, Jayne Cortez and even the expressive ephemerality of a passing blue note. All appearing as generational trees from which these poems fruit.
aja monet has been a poet in name since before birth. In her 2017 debut collection of poems my mother was a freedom fighter, she outlines in give my regards to Brooklyn, "i owe my life/to the woman/who stopped my mother/on the b56/on her way/to the abortion clinic/and told her/ you have a poet coming." She has been a poet in verb since youth, "I started writing when I was 8 or 9 -- [but] I think I was a poet before I wrote my first poem." She matriculated in writing upon enrolling in Baruch College Campus High School and then in joining Urban World NYC. She cut her teeth within the walls of the legendary Nuyorican Poets Café, where she won the title of Grand Slam Champion in 2007 at age 19, making her the youngest Grand Slam Champion in the venue's history.
She grew up in Brooklyn, where the incessant harassment of the Black community by way of the police was an untenable growing pain. Here in between the raucous and propulsive insistence of rap and the predetermined experience of Black people in America she learned to navigate language. After graduating from Sarah Lawrence College and the School of the Art Institute of Chicago, and living briefly in Paris, aja monet co-edited Chorus: A Literary Mixtape alongside poet-actor-director Saul Williams and released two chapbooks of poetry The Black Unicorn Sings and Inner-City Cyborgs and Ciphers. Throughout her journeys, her poems always have a way of pointing back to home - aware and paying homage to from whence she came.
In when the poems do what they do aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, "Who's got time for poems when the world is on fire?!." And this work isn't one to pull apart into one liners, these are poems of things felt. There is a fullness here that can't be encapsulated in even the boundaries that language offers. aja monet is a griot, a storyteller, a chronicler, and your grandmother telling you about her first love all at once. These are baby making poems
literally the spring enacting upon the cherry trees. These are poems of urgency and want and the rallying cry to demolish the insidious systems from which our futures seem to be wrought, in other words,"If we had a sense of humor we'd be more radical. More migrant than citizen we'd breathe the air clean and ration our resources...we would melt ALL the guns." You will find yourself readying arms because of these poems, and simultaneously mourning the unstoppable loss of names already destined to be immortalized. aja monet crafts a work as she always does, that can be entered from many doors. These aren't poems for poets, but poems for everyone.
She is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together creating music that is insistent and unrelenting. There are songs reminiscent of jazz club virtuosity and melee, others of a healing balm in gilead, and the chords of Castaway move like that of the call to intercessory prayer.
When you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.
show less
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